Sunday Times Books LIVE Community Sign up

Login to Sunday Times Books LIVE

Forgotten password?

Forgotten your password?

Enter your username or email address and we'll send you reset instructions

Sunday Times Books LIVE

Bookstorm

@ Sunday Times Books LIVE

Archive for the ‘South Africa’ Category

Watch Gabourey Sidibe’s 200 Women interview

“You can’t empower women without listening to their stories” – Gloria Steinem

 
200 Women200 women from a variety of backgrounds are asked the same five questions. Their answers are inspiring human stories of success and courage, love and pain, redemption and generosity. From well-known activists, artists, and innovators to everyday women whose lives are no less exceptional for that, each woman shares her unique replies to questions like “What really matters to you?” and “What would you change in the world if you could?”

Interviewees include US Supreme Court Justice Ruth Bader Ginsburg, actor and human rights activist Alfre Woodard, and Nobel laureate Jodi Williams, along with those who are making a difference behind the scenes around the world, such as Marion Wright Edelman, head of the Children’s Defense Fund.

Each interview is accompanied by a photographic portrait, resulting in a volume that is compelling in word and image – and global in its scope and resonance. This landmark book is published to coincide with an immersive travelling exhibition and an interactive website, building on this remarkable, ever-evolving project. With responses ranging from uplifting to heartbreaking, these women offer gifts of empowerment and strength inviting us to bring positive change at a time when so many are fighting for basic freedom and equality.

Local interviewees include Graça Machel, Caster Semenya, Zelda la Grange, Mpho Tutu van Furth, Hlubi Mboya, Sahm Venter, Joanne Fedler, Ingrid le Roux, Gillian Slovo and Zoleka Mandela, among others.

A minimum of 10% of the project’s revenue will be distributed to organisations devoted to protecting and advancing the rights of women. Each interviewee can nominate an organisation (or themselves if they are in financial need) to receive their portion of the charitable pool or they can select the principal charitable partner, the Graça Machel Trust.

Here the acclaimed actress Gabourey Sidibe discusses wanting to change the stigma behind psychological help, the importance of happiness, and learning to love yourself:


 

Book details


» read article

“Can racism and intimacy co-exist in post-apartheid South Africa?” asks Jonathan Jansen in Making Love in a War Zone

‘My father-in-law did not show up for the wedding. My future wife had to leave her family home the moment we asked permission to ‘go out’ together, a tradition in those days. There were certain members of the family whom she visited on her own; my presence was not welcomed. I was a confident human being and a proud black man, but those things stick when it comes to flesh and blood.’

– Jonathan Jansen

Making Love in a War Zone

Can racism and intimacy co-exist? Can love and friendship form and flourish across South Africa’s imposed colour lines?

Who better to engage on the subject of hazardous liaisons than the students Jonathan Jansen served over seven years as Vice Chancellor of the University of the Free State.

The context is the University campus in Bloemfontein, the City of Roses, the Mississippi of South Africa. Rural, agricultural, insular, religious and conservative, this is not a place for breaking out.

But over the years, Jansen observed shifts in campus life and noticed more and more openly interracial friendships and couples, and he began having conversations with these students with burning questions in mind.

Ten interracial couples tell their stories of love and friendship in their own words, with no social theories imposed on their meanings, but instead a focus on how these students experience the world of interracial relationships, and how flawed, outdated laws and customs set limits on human relationships, and the long shadow they cast on learning, living and loving on university campuses to this day.
 

Jonathan Jansen is Distinguished Professor of Education at the University of Stellenbosch, after serving for many years as the Vice Chancellor of the University of the Free State. Jansen has a formidable reputation for transformation and a deep commitment to reconciliation in communities living with the heritage of apartheid. He holds an impressive collection of degrees and awards including the Education Africa Lifetime Achievement Award.

Book details


» read article

Take a visual tour of Paul Shenton’s remarkable memorialisation of the great losses of the First World War

“The great military cemeteries found along the Messines Ridge and around the town of Ieper (Ypres) in Flanders, Belgium, are the last resting place of hundreds of thousands of soldiers who died during the First World War…” – Regiments of the Dead

This locally produced title memorialises the great losses of the First World War with groundbreaking photography of the war memorials of Flanders in Belgium.

The extraordinary photographs were taken at different times of year to record the atmospheric and evocative memorials to the war dead of 1914–1918, in a manner not seen before.

Immaculately maintained by the Commonwealth War Graves Commission as a lasting memorial to the fallen, the gravestones, when viewed from above, can be seen to resemble soldiers on parade. Paul Shenton’s interest in the battlefields and military cemeteries of the First World War began when he came across his grandfather’s medals representing his service as a sergeant with the 1st Battalion Grenadier Guards during 1914–1918.

This find prompted research into the engagements that his grandfather took part in and many trips to the battlefields and cemeteries of the Ypres Salient area in Flanders.

Paul Shenton has been a passionate photographer for as long as he can remember. Over the years he has captured a variety of subjects from extensive landscapes to intimate portraits. It was a natural step to combine his love of photography with his interest in the First World War. This has resulted in the spectacular portfolio of elevated mast photographs in Regiments of the Dead, which give a unique and breathtaking viewpoint of the Flanders cemeteries.

Take a look at a few of the awe-inspiring photos featured in Shenton’s remarkable book:

Bedford House, ©Paul Shenton.

 

Hooge Crater, ©Paul Shenton.

 

Menin Gate, ©Paul Shenton

 

Poelcapelle, ©Paul Shenton

 

Tyne Cot, ©Paul Shenton

Book details


» read article

Watch Hlubi Mboya Arnold’s 200 Women interview

“You can’t empower women without listening to their stories” – Gloria Steinem

 
200 women from a variety of backgrounds are asked the same five questions. Their answers are inspiring human stories of success and courage, love and pain, redemption and generosity. From well-known activists, artists, and innovators to everyday women whose lives are no less exceptional for that, each woman shares her unique replies to questions like “What really matters to you?” and “What would you change in the world if you could?”

Interviewees include US Supreme Court Justice Ruth Bader Ginsburg, actor and human rights activist Alfre Woodard, and Nobel laureate Jodi Williams, along with those who are making a difference behind the scenes around the world, such as Marion Wright Edelman, head of the Children’s Defense Fund.

Each interview is accompanied by a photographic portrait, resulting in a volume that is compelling in word and image – and global in its scope and resonance. This landmark book is published to coincide with an immersive travelling exhibition and an interactive website, building on this remarkable, ever-evolving project. With responses ranging from uplifting to heartbreaking, these women offer gifts of empowerment and strength inviting us to bring positive change at a time when so many are fighting for basic freedom and equality.

Local interviewees include Graça Machel, Caster Semenya, Zelda la Grange, Mpho Tutu van Furth, Hlubi Mboya, Sahm Venter, Joanne Fedler, Ingrid le Roux, Gillian Slovo and Zoleka Mandela, among others.

A minimum of 10% of the project’s revenue will be distributed to organisations devoted to protecting and advancing the rights of women. Each interviewee can nominate an organisation (or themselves if they are in financial need) to receive their portion of the charitable pool or they can select the principal charitable partner, the Graça Machel Trust.

Here Hlubi Mboya Arnold discusses the significance of family, making mistakes, and the necessity of education:


 

Book details


» read article

Watch Margaret Atwood’s 200 Women interview

“You can’t empower women without listening to their stories” – Gloria Steinem

 
200 women from a variety of backgrounds are asked the same five questions. Their answers are inspiring human stories of success and courage, love and pain, redemption and generosity. From well-known activists, artists, and innovators to everyday women whose lives are no less exceptional for that, each woman shares her unique replies to questions like “What really matters to you?” and “What would you change in the world if you could?”

Interviewees include US Supreme Court Justice Ruth Bader Ginsburg, actor and human rights activist Alfre Woodard, and Nobel laureate Jodi Williams, along with those who are making a difference behind the scenes around the world, such as Marion Wright Edelman, head of the Children’s Defense Fund.

Each interview is accompanied by a photographic portrait, resulting in a volume that is compelling in word and image – and global in its scope and resonance. This landmark book is published to coincide with an immersive travelling exhibition and an interactive website, building on this remarkable, ever-evolving project. With responses ranging from uplifting to heartbreaking, these women offer gifts of empowerment and strength inviting us to bring positive change at a time when so many are fighting for basic freedom and equality.

Local interviewees include Graça Machel, Caster Semenya, Zelda la Grange, Mpho Tutu van Furth, Hlubi Mboya, Sahm Venter, Joanne Fedler, Ingrid le Roux, Gillian Slovo and Zoleka Mandela, among others.

A minimum of 10% of the project’s revenue will be distributed to organisations devoted to protecting and advancing the rights of women. Each interviewee can nominate an organisation (or themselves if they are in financial need) to receive their portion of the charitable pool or they can select the principal charitable partner, the Graça Machel Trust.

Here the acclaimed Canadian author, Margaret Atwood, discusses happiness, the importance of conservation, freedom of expression, women’s rights, and what she considers to be the lowest depth of misery:

 

 

 

200 Women

Book details


» read article

The first low-carb lifestyle book that works equally well for men and women is finally available in SA!

Finally, available in South Africa!

The first low carb lifestyle book that works as well for women as it does for men and is supported by a Michelin starred chef, a doctor and a dietitian.

Heard the one about the Fat Professor, the Whole-Food Dietitian and the Michelin-trained Chef who want to change the world? Nope, this is not a silly joke. Far from it.

In fact, we hope this book provides some serious answers. We hope it is the beginning of a life-changing journey for many who have experienced inexplicable weight gain, the heartbreak of constant deprivation and yo-yo dieting, or worse, physical illness through poor nutrition.

For decades, the brightest minds in the nutrition and science field have had fat pegged as the bad guy.

As a result, many of us have been enslaved by an outdated food pyramid which has pushed us to eat carb-laden and processed food. As the evidence mounts against sugar and processed carbohydrates, it’s time to flip the pyramid and break free of the fat phobia.

In this practical guide, we present inspiring success stories, compelling evidence, and simple ways to “eat upside-down”.

Forget everything you were taught at school, flip the food pyramid on its head and start nourishing your body the way it was designed to be nourished.

“Prof Grant, Dietitian Caryn and Chef Craig are the leaders in the food revolution in New Zealand and Australia. I congratulate them on a job well done bringing the recipes, the practice, and the science together in one book. This is the complete how to guide for low-carbohydrate, healthy-fat living.” – Professor Tim Noakes, Emeritus Professor, University of Cape Town

Book details


» read article

Watch Chimamanda Ngozi Adichie’s 200 Women interview

“You can’t empower women without listening to their stories” – Gloria Steinem

 
200 Women200 women from a variety of backgrounds are asked the same five questions. Their answers are inspiring human stories of success and courage, love and pain, redemption and generosity. From well-known activists, artists, and innovators to everyday women whose lives are no less exceptional for that, each woman shares her unique replies to questions like “What really matters to you?” and “What would you change in the world if you could?”

Interviewees include US Supreme Court Justice Ruth Bader Ginsburg, actor and human rights activist Alfre Woodard, and Nobel laureate Jodi Williams, along with those who are making a difference behind the scenes around the world, such as Marion Wright Edelman, head of the Children’s Defense Fund.

Each interview is accompanied by a photographic portrait, resulting in a volume that is compelling in word and image – and global in its scope and resonance. This landmark book is published to coincide with an immersive travelling exhibition and an interactive website, building on this remarkable, ever-evolving project. With responses ranging from uplifting to heartbreaking, these women offer gifts of empowerment and strength inviting us to bring positive change at a time when so many are fighting for basic freedom and equality.

Local interviewees include Graça Machel, Caster Semenya, Zelda la Grange, Mpho Tutu van Furth, Hlubi Mboya, Sahm Venter, Joanne Fedler, Ingrid le Roux, Gillian Slovo and Zoleka Mandela, among others.

A minimum of 10% of the project’s revenue will be distributed to organisations devoted to protecting and advancing the rights of women. Each interviewee can nominate an organisation (or themselves if they are in financial need) to receive their portion of the charitable pool or they can select the principal charitable partner, the Graça Machel Trust.

Here, acclaimed author Chimamanda Ngozi Adichie answers “What really matters to you?”

Book details


» read article

Launch – Making Marigold: Beaders of Bulawayo (24 January)

Making Marigold: Beaders of Bulawayo is a portrait of a women’s beading co-operative specialising in loomed beadwork, based in Bulawayo, Zimbabwe.

Over 200 photographs reveal the sumptuous glamour of the Marigold beadwork and necklaces. Short, stand-alone narrative vignettes offer background insights into the making and development of the Marigold co-operative.

How did these women, whose skilled practice and creative impulses evident in every necklace, perfect this practice?

And what has sustained their efforts across the decades?

Joni Brenner is an artist who revisits the same subject – whether live model or skull – over and again, a practice that informs her understanding of learning through doing, looking closely and recognising shifts.

Her belief in the value of repetition underpins her fascination, and her collaboration, with the Marigold beading co-operative.

She is a Principal Tutor in History of Art at the University of the Witwatersrand, Johannesburg.

Elizabeth Burroughs is a researcher and writer whose interests include the role of languages in culture and identity, the nature of consciousness, and the processes of making.

She has worked primarily in the field of education, lecturing in English Literature and Linguistics, and as senior manager for Umalusi, the quality council for schools and college education in South Africa.

She now works as a freelance consultant and writer.

Event Details

 

Book Details


» read article

Making Marigold explores the creative practice, and sustainability, of a women’s beading co-operative in Bulawayo

Making Marigold: Beaders of Bulawayo is a portrait of a women’s beading co-operative specialising in loomed beadwork, based in Bulawayo, Zimbabwe.

Over 200 photographs reveal the sumptuous glamour of the Marigold beadwork and necklaces. Short, stand-alone narrative vignettes offer background insights into the making and development of the Marigold co-operative.

How did these women, whose skilled practice and creative impulses evident in every necklace, perfect this practice?

And what has sustained their efforts across the decades?

Making Marigold will be launched at the New York Metropolitan Museum of Art in February.

Joni Brenner is an artist who revisits the same subject – whether live model or skull – over and again, a practice that informs her understanding of learning through doing, looking closely and recognising shifts.

Her belief in the value of repetition underpins her fascination, and her collaboration, with the Marigold beading co-operative.

She is a Principal Tutor in History of Art at the University of the Witwatersrand, Johannesburg.

Elizabeth Burroughs is a researcher and writer whose interests include the role of languages in culture and identity, the nature of consciousness, and the processes of making.

She has worked primarily in the field of education, lecturing in English Literature and Linguistics, and as senior manager for Umalusi, the quality council for schools and college education in South Africa.

She now works as a freelance consultant and writer.

Book details


» read article

“Did he not know that you were … I suppose the term used now is ‘lesbian’?” Read an excerpt from The Lion & The Thespian

The Lion and The ThespianMargaretha van Hulsteyn (also known as Scrappy) is the daughter of respected Pretoria attorney Sir Willem van Hulsteyn, and she’s an aspiring actress. While studying in London after the Great War, Scrappy changes her name to Marda Vanne and enters into a relationship with one of the foremost actresses of her day, Gwen Ffrangcon-Davies.

However, on a visit to her parents in the Union of South Africa, Marda meets Hans Strydom, an attorney and uncompromising radical politician with the soubriquet ‘The Lion of the North’. Their meeting changes the course of her life, at least temporarily… Strydom went on to become a principal progenitor of the harshest discriminatory legislation which endured for decades until his nephew, President FW de Klerk, in a volte-face, dismantled the laws of apartheid.

A work of biographical fiction, The Lion & The Thespian is based on the true story of the marriage of Hans Strydom, prime minister of South Africa from 1954 to 1958, to the actress Marda Vanne.

Veteran author David Bloomberg (former executive mayor of Cape Town, and founder of Metropolitan Life), following extensive reading and research, has adhered faithfully to the chronology of the lives of the main protagonists, their personalities and the historical facts with which they were associated. Creative license has allowed Bloomberg to recreate appropriate scenes and dialogue, complemented by reported sources and recorded speeches.

In this edited extract, Margaretha van Hulsteyn (also known as ‘Scrappy’) – an Afrikaans actress who had spent many years on the London stage – has a frank discussion about her own sexuality with fellow actress and eventual life-partner, Gwen Ffrangcon-Davies:

Already one of the most acclaimed actresses on the English stage, Gwen Ffrangcon-Davies was inundated with offers of work and success followed success. Although Scrappy did not achieve the same level of stardom as her companion, Bernie Lewis had little difficulty in keeping her in work and she became an accomplished West End actress.

Settled in to a happy life of domesticity, the two were inclined to use their rare nights at home together to get to know each other a little better, explore their relationship a little further.

“Gwen, you have never identified – at least to me – the man who kept us apart all this time.”

“Oh, my darling, we no longer have any secrets. His name is Cecil Lewis, a war hero, much decorated – and married. I suppose I should feel very guilty about this romance, an adulterous relationship but, to be honest, I don’t.”

“What was he like?”

“Handsome and manly, courteous in the extreme, intellectual and a patron of the arts. For some reason, he was obsessed with me as an actress … came to any number of performances of every play I was in and afterwards spoke to me at length about the play, my role and interpretation. He was very profound and I always found his analysis interesting and gratifying. And, my darling, he was extremely virile.”

“Did he not know that you were … I suppose the term used now is ‘lesbian’?”

“Of course he knew. And I reminded him regularly, but his response was always to emphasise that homosexual experience did not exclude those whose preference lay elsewhere and that it was quite common for people to stray from their first gender of choice. He was convinced that I would be sexually unfulfilled and incomplete as an actress if I did not have what he called a ‘straight ding dong’! As far as his pleasure was concerned, he was equally straightforward, seeing no spiritual benefit for himself, merely gratifying himself with a married man’s dalliance.”

“Seems Cecil was very pragmatic about the relationship.”

“Oh yes. He alerted me when our affair was starting to dwindle – hinted that he was beginning to lose interest, that it was terminal. He probably thought that he had achieved his purpose and had ‘made me a better actress’. I had told him all about you and he liked what he heard and was reassured that you were going to take over where he had left off. Happy that you would sort of be taking his place. He wrote the most beautiful letter to me. His last letter stated that the burden of guilt had been lifted and he thanked me in the most poetic terms for the wonderful experience; he hoped that I had benefitted intellectually from the relationship and he wished us both the best of British luck for the future!”

“Did you reply?”

“Yes. I thanked him for the inspirational support he had given me during the period of our intimacy.”

While homosexuality in England in the early twentieth century was recognised and spoken of freely – despite the fact that it was a punishable offence – female sexuality was a subculture that was hardly mentioned in polite circles and the word ‘lesbian’ was not in common usage. The theatre, however, was regarded as a breeding ground for deviant behaviour.

Actresses particularly were at pains to ensure that insofar as theatregoers were concerned, they conformed to what generally was regarded as normality and that their life outside the theatre should be kept private and not come under public scrutiny. Prejudice was such that any woman who chose to be single and worked towards economic and social independence was regarded as tainted. From an early age, Gwen Ffrangcon-Davies recognised and accepted her sexuality, but believed that it would not advance her professional career and consequently chose to exercise discretion and presented to the public a much-feminised personality and lifestyle. In her private life, where many of her friends were theatre colleagues, there was no concealing her identity but in public her selection of roles, her dress, manner and behaviour did much to disguise her true sexuality. When interviewed by a curious press she managed to present herself as the epitome of femininity and domestication. As far as Scrappy was concerned, Gwen, when pressed, referred to her simply as a ‘girlfriend’, at the time a perfectly run-of-the-mill reference to an innocent friendship.

Scrappy, on the other hand, was much less discreet. Although six years younger, she was more well informed on the controversies of the day, especially since she had read the work of English doctor and writer Havelock Ellis, whose Sexual Inversion had concluded that homosexuality was a congenital condition rather than a disease. But, keen on intellectualising these matters, she had also learned that the Austrian neurologist and psychoanalyst, Sigmund Freud, had dismissed Ellis’s theory, claiming that sexual deviation was indeed curable. Scrappy eventually dismissed all these theories and lived by what she regarded as fact – that all forms of sexuality were accepted and tolerated by those in the theatre. While on appropriate occasions she would dress conventionally, sometimes even glamorously, her preference was for a more masculine style and her hairstyle was often fashioned accordingly.

“So, my darling Scrappy, what goes on between us is our business and has naught to do with anyone else. I love you deeply for who you are and any frolic that accompanies our love is a by-product to be enjoyed. My bounty is as boundless as the sea, My love as deep; the more I give to thee, The more I have, for both are infinite.”

Book details


» read article